This exhibition celebrates the past decade of collecting at the FIDM Museum in Los Angeles. With a surge in extraordinary donations and purchases between 2000 and the present, the FIDM Museum collection attained new eminence and richness, particularly in the areas of 19th- and 20th- century haute couture, mid-20th century American designers, and international contemporary designers.
Evening gown of silk organza,
tulle & lace by Alexander McQueen,
Fall/ Winter 2008-2009. FIDM Museum Commission: Funds provided by Karen Coombs-Jordan.
The FIDM Museum Study Collection contains 2,000 objects spanning 200 years: haute couture and ready-to-wear garments, accessories, non-western dress, and textiles. Study Collections are located on all four FIDM campuses: Los Angeles, San Francisco, Orange County, and San Diego.
Evening gown, c. 1853, and day gown, c. 1865–1866. Gifts of the Helen Larson Estate & Anne Stampfer.
High Style: Betsy Bloomingdale and the Haute Couture celebrates a donation of over 100 Haute Couture garments given to the FIDM Museum at the Fashion Institute of Design & Merchandising over thirty years by International Best Dressed Hall of Fame icon Betsy Bloomingdale.
Evening ensemble of silk crêpe and cockerel feathers by Karl Lagerfeld for Chanel, 1985. Gift of Betsy Bloomingdale.
The world of Artistic dress was short-lived and inhabited only by a daring few. Originating in mid-19th century England, Artistic dress was sparked by influential artists who subverted societal norms.
Austrian hairpin lace coat, c. 1925. Loan courtesy of Doris Raymond, The Way We Wore, Inc.
One hundred years ago, David and Mary Gamble (heirs to the Procter and Gamble fortune) built a winter home in beautiful Pasadena, California. Designed by Charles and Henry Greene, the house remained in the family for two generations.
Day dress of ribbed silk & satin, netting & glass beads, c. 1910–1911. Gift of Laura Stoneman.
Fashion and fragrance both have their genesis in ancient times. From the outset, the materials that went into their production and the finished products were highly prized. Though each was worn on the body, the two artistic specialties rarely crossed paths until the early 20th century. Due to advancements in scientific research and manufacturing techniques, by 1900 the fashion and fragrance industries had become global markets.
Norman Norell evening coat of hand-dyed silk flowers, c. 1965. Gift of Mrs. Clarissa Dyer.
Culled from the collections of the FIDM Museum and private collectors around the country, this exhibition focuses specifically on the high fashion aspects of mourning attire, including accessories and hairwork traditions. Major examples by contemporary designers will highlight the continuing appeal of mourning attire through an exploration of revivalist and Gothic themes.
Mourning-inspired ensemble by FIDM alumnus Paul Fan, 2003. FIDM Museum Purchase.
For both men and women, hanbok is the traditional dress of Korea. An unfitted two-part ensemble, the basic form of today’s hanbok was set during the Chosun or Yi Dynasty (1392–1910). Celebration of Korean Dress is a two-part exhibition exploring the legacy of hanbok and the creativity of contemporary Korean designers. The second part of the exhibition, Fashion Art from Korea: Air of the East, is a traveling show produced by the Korea Fashion & Culture Association.
Wedding dress of denim, silk, beads & quilting by Kim, Hye Soo, c. 2000.
Opulent Opera celebrates the vision of opera—the look of it, and how it transforms artistry into magic. The role of costume designers in opera productions is crucial; they must project plot, character and place through costume. Today’s opera is truly global—costumes designed in Italy are used in performances in Boston, sets designed in London travel to Los Angeles. There is also a growing crossover of talents from other design specialties, including painters, film designers, cartoonists and photographers, to opera design. The FIDM Museum & Galleries is proud to present the work of these talented creators of imaginative opera productions.
Headdress by Cecil Beaton for Turandot, Metropolitan Opera Production, 1961. Loan courtesy of the Metropolitan Opera Archives.
Internationally recognized as a master footwear designer, Andrea Pfister has pursued a flawless career creating innovative shoes. His exquisitely designed creations, embellished with sequins, multicolored pearls, and lavish embroidery, attest to his individual flair and craftsmanship. Including over 400 pairs of Pfister shoes and boots, the exhibit showcases his elegant and original designs.
The FIDM Museum is grateful to Musée International de la Chaussure, Romans-France and Marie-Josephe Bossan for their contributions to this exhibit.
Selection of shoes designed by Andrea Pfister. Loan courtesy of Musée International de la Chaussure.
The French tradition of haute couture represents the peak of luxury; it is the laboratory where exceptional fashion is launched that influences the world-wide garment industry. This exhibition honors the haute couture by showcasing the creations of the most notable French couture houses from the second half of the 20th century.
Evening gown of silk velvet, chiffon, cording, glass gemstones, & rhinestones by Christian LaCroix, 1987. Gift of Anonymous Donor.